![]() ![]() a hologram you being punished after you're dead and gone) is inching over the horizon. Pop stars are already being replicated as holograms, so this alternate universe (i.e. "Black Museum" is the show's most urgent and socially significant episode. Visitors pay to pull the lever to electrocute him, fulfilling their sadistic, racist desires. His hologram self has since been imprisoned inside an execution chamber. Rolo's prized exhibit involves a Black man named Clayton Leigh (Babs Olusanmokun), who was falsely accused of murder and has his consciousness duplicated into a hologram. The most powerful tale comes in the finale, the conclusion to the wraparound story. A once-heralded doctor falls from grace and uses the technology to mine his erotic thrills from pain. The next story follows a man whose wife is hit by an oncoming van and to save her, he seeks out Rolo to implant her consciousness inside his head (and later a stuffed monkey). When worn, it gives the wearer the ability to feel what a patient feels and thus expedites the diagnosis process. "Be Right Back" is the show's most emotionally-charged and immensely-profound episode.įirst up is a dark tale about a hairnet device used for medical research. She emotionally unravels and realizes that the Ash clone is causing her more harm than good. Unsurprisingly, Martha disassociates herself from friends and family. The automated Ash hints that there is a next level to the experience, and Martha orders a physical recreation of Ash. ![]() On one hand, it might allow the grief-stricken to say goodbye, yet it could open a can of worms in obsessing over the past. Martha is at first skeptical, but in her grief, she decides to try it out. Then, it engages in conversations with responses based on all submitted content. The technology combs a dead person's social media, emails, and all other public posts as well as audio-video clips to create a vocal likeness. A friend suggests a burgeoning new gadget that allows a grieving person to reconnect with their deceased loved one. Martha (Hayley Atwell) suffers an unimaginable tragedy when her husband, Ash (Domhnall Gleeson), dies in a car accident. The mere suggestion that our consciousness could be cloned and used for mundane (or possibly dangerous) tasks is unsettling, to say the least. The "cookies" tech comes back around to deliver a wallop in the third act. Through these tales, Joe decides to open up about his past and reveals the tragic end of his former relationship as well as the guilt that weighs on his shoulders from killing a man. The second story revolves around Matt's day job training "cookies," carbon copies of a person's consciousness used as live-in servants. A bizarre turn of events leads to the death of a client, and the rest is history. Matt had previously run a dating service and helped awkward, unsociable men get dates and flirt. With seemingly good intentions, Matt shares how he came to live in the cabin, detailing a story about Z-Eyes, a technology that allows one's vision and hearing to be transmitted offsite. It sucks the air out of your lungs.They've been living together for five years but have rarely spoken. Its overarching hopelessness makes this the most terrifying Black Mirror episode of all, and if the main point of the series is to imagine the bleakest near-future imaginable, this one knocks it out of the park. Beside its thrillingly minimal plot, the episode is eerily gorgeous, captured in a textural black-and-white which emphasises its pared-back quality. Things, alas, very quickly go to shit what follows is a frenetic, survival story chase sequence, just one of the mechanical mutts hunting Maxine Peake’s Bella, with the solitary objective of blowing her head off. Set in a near-future where Boston Dynamics’ cutely terrifying robotic dogs have taken over the world, the fourth season’s fifth episode - the second shortest to date, beaten only in brevity by the new season’s “Mazey Day” - sees us join a pocket of the human resistance. Sometimes the most simple narratives are the ones that work best, and “Metalhead”, which notably divided critics on release, is a tremendous example of how to get outstanding mileage out of a barebones conceit. ![]()
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